Parameters
From one field to another, makers note, “Creativity itself requires limits.” (2)
“Creativity needs boarders.” (3)
Alright X 3.
The edges of a canvas
Help a painter out by reining them in.
Stop x 4.
A series of drop-offs reign
Simultaneously supporting and abandoning
A saturated work in progress.
In painting a watercolor, building a picnic table, or designing a cereal box
We showcase the meaning of parameters
By working within a series of “restrictions and challenges.” (5)
What’s your budget? Is there a timeline?
Will what you make sit in the sun?
Are people going to put their weight on it?
“Pause and consider in order to place.” (6)
“Through parameters are often thought of as limitations
They can be springboards to better ideas.” (7)
Just down the block, a painter you know well
Faces a canvas that’s 20 x 4, instead of the more familiar, traditional 20 x 24 frame.
(A not-yet-seen insight has way less space to hide.)
A not-normal setting
Sets the groundwork for a new thing to spring.
[ What might emerge from this uncommon crop? ]
A restrictive canal channels a stream.
A fresh idea becomes apparent
In a maker's mind.
“Limits are not only unavoidable in human life, they are also valuable.” (10)
Limits are necessary, like the “banks of the river, without which … there would be no river.” (11)
Our “struggle with limits is actually the source of creative productions.” (12)
“Sorry, did I mention the client’s poster is printing 2-color and not 4?”
Yes, and thank-you!
The ideas just keep coming.
Read the room. “Get with what is.” (13)
In doing so, new concepts are
Born.
Parameters hold art
Into
Being.
Parameters prohibit and constrain, while
Encompassing our process, focusing our eye
Holding a place for potential to take hold
Grounding journeys and breakthroughs that grow
Us
Beyond the mind we have.
Parameters prepare places and stand guard, contouring narrow, expansive paths forward.
Engaging the known and unknown that follows is the
Creative process, a journey that
Judges our judgment by and by, by revealing what is
More, pointing out the presence of multiple points, all along the
Way. More points per inch provide higher resolution, which challenges and affirms the connections we've made within the conclusions we've drawn.
Solid conclusions persuade us to walk towards them, through them, in them, and by them.
These pictured visions sort our view, while serving up goals that assist.
There’s something in our eye, all the time. Ask others to weigh in and see.
“Support.” (17) For the human kind of being, the
Creative process appears to be a
Mystery to take up in time.
“On Your Back.” (18)
“Part of living well is recognizing and learning what it is that’s yours to
Carry.” (19)
Switch fields.
“Carry each other.”
Try the other side. (20)
A net
Anchors a series of lines.
The spirit of the game throws through.
“No. You can’t treat another player like that.
This game will fall apart if others follow that
Lame of a lead. The approach you chose is
Unsustainable. Your performance is
Needy. The way you play is
Poor.”
Restrictions
Pitch
In
Confronting
Anything goes.
Parameters Proposed Prohibit Participants
As a particular game appears
Within
A particular set of lines.
Bring it
In.
Listen
Up.
DO NOT use your hands
Unless
You’re tending to
Your goal.
[ Soccer ]
Use your hands … but
DO NOT use your feet. Also, no goaltending.
[ Basketball ]
Games exist because of parameters.
One of many ways to think about being human, is that we
Live
In
The midst of overlapping games
That nest at different levels of abstraction.
Many of us got our start
Playing a game called
[ Family ]
Built on house rules that vary.
“Heads
Up!”
DO NOT run with scissors.
Take turns with the popular toy. Feet off the table.
DO NOT throw chairs.
As we grew
We were prompted, persuaded, and pressured to
Go outside and play.
“Get
Out!” Find some friends and fit
In. [ Team Sports ] are essentially the [ Family ] game expanded into a pack.
“Spread
Out!” (What have I gotten myself
Into?)
DO NOT run your mouth.
Take turns with the ball by passing, putting into play what we practiced.
DO NOT throw chairs.
We grew what we knew through play, before upping our game and getting a job.
A [ Job ] is essentially [ Team Sports ] with different lines, uniforms, and positions.
It’s also the [ Family ] game with different roles. (Connect the Dots.)
DO NOT run with assumptions unless they’ve been cross validated.
Take turns talking in that heated, bored room.
DO NOT throw chairs.
Consider how often you are
In a single-player or multi-player game
That happens to be nesting in a larger game.
Me playing soccer at 46
Might look like I’m playing soccer
Which I am
But the larger game I’ve got my eye on is called
[ Just Try Not To Pull Anything. ]
“What does success look like to you?” (29)
This idea that we are constantly
In
The midst of a symbol rich game to
Partake in
Or
Pass on
Is a way of seeing that works good.
Don’t take it from me
Take it from you.
1. Picture a
Job, relationship, environment, or situation
That is
Not aligned with the expectations you brought with you to hold the
Job, relationship, environment, or situation
You’ve pictured.
Scan your view. You are HERE. Traditional and Untraditional are too.
Notice how Familiar and Unfamiliar are fighting for how your attention is spanning.
To the degree you pictured any of this beforehand, you are simultaneously on and off.
2. Articulate the context you find yourself in.
Recognize just how unique the conditions are.
Identify the variables, seen and unseen. Dig into the depth of this field.
Map out the landscape in your mind. This is new territory, and yet
You have been HERE before.
You kind of know this KIND of job, relationship, environment, or situation
Super well. Distinguish the parameters of the [ game ] before you.
Grab a genre and use your own words to
Name the frame.
3. Abstract even further by pushing yourself to see
Yourself
In what you face.
Grow an awareness for an emerging resemblance before you.
This frame is like me in multiple ways.
Not perfect. Check. Full of potential.
Check.
Explore.
See.
4. If
You want to, choose to
Accept the framework before you
Forgiving it for being
Like you. Not all there.
5. Agree to play anyway.
Open that door while promising
Potential you’ll try your best, within
What just is.
6. Surprise yourself. Unbury treasure
Inspiring onlookers
Gathering on and off sides
7. Leave it all on the field.
Rest, reflect, recharge and renew.
8. Repeat
As if this rhythm is actually needed.
A crowd stirs while mulling over
Multiplying moves you made.
Client work has taught me a lot about the importance of parameters.
19 years of blind dates went a little something like this: “We’d like you to design us a logo.
Make sure that it's down to earth. Make it high-end. We want to stand out and fit in.
Make us look modern, retro, timeless, cool, and hot.
We don’t have much to pay you. Hope that’s ok.
How soon can you have this done?
We love your creative instinct and are excited to see what
You come up with.
Also, here’s a drawing our partner did on a napkin.”
What is [ the particular game ] I am
Being invited to
Play?
What Phrase might sum up and stand for
All the times I’ve found myself stuck in this
KIND of game?
A: I can pass.
(Not a bad idea).
“It’s not me, it’s you.”
B: I can play.
(Not necessarily a bad idea).
“Let’s see what we can do.”
The job at hand is not
Ideal, but …
Ideal jobs are hard to come by. Plus … I’m open.
Here’s the unideal deal: [ The opportunity before me is a way to pay some bills, as well as a
Chance to improve how I hold my tools, while adding another story to tell. ]
Choose your own adventure.
“Hi Risk.
Looking
Good.”
“Thanks Reward.
Where have you been
My friend?
“Everywhere.
In everyone ever
Mislabeled and misunderstood.”
Game on. Here’s my proposal: [ I will explore and present just 1 concept instead of 3 ]
In light of the size of your budget.
Same for revisions, unless that is, you want to invest in the
Way
4th drafts are typically better than what you see in round 2. (Sandpaper comes in more than 1 grit.)
Stronger solutions need a longer timeline to get an average placeholder rolling
Providing our subconscious depths something to latch onto, speak into, and transform.
Get something started, then give it a rest. Hit the shower, then sprint for a pen.
(Try not to pull anything.)
Let’s go
In light of
Logos: an abstract representation, marking
The
Creative
Process
A powerful path forward, through limitations
Held into being by invisible qualities
Dwelling in how things get made.
Granted, negotiating a [ Contract ] with reasonable points is not always an option.
Too many makers have no say
Trapped in games they don’t want to play.
To be clear, points made thus far are not suggesting
That we put up with unjust rules or oppressive rulers because of potential silver linings to find.
Rather this about reframing how we view particular scenes in the midst of what just is
Out of our control, in order to gain or regain a small, yet sufficient sense of control that sustains.
Reframing our perspective of a job, relationship, environment, or situation, has a
Way of hinting at new goals that can fix our eyes, followed by new momentum.
This setting is
What it is
Circled with constraints that cycle.
Gravity is a given.
Layers of limitations abound.
Reality really appears
To
Be
Inviting me into a particular game to play. Let’s see what we can do.
I can complain about the clock … or … I can do something
More
Creative than that.
This job, relationship, environment, or situation
Facing me, is nowhere near ideal.
Right. Now, think of a new name for this frame and love it as yourself.
Rise. Tear off that warm up. Realize a transformation.
Look at you go now that you’ve gotten past complaining, breaking free from the way it holds.
Look at you go now that you DO NOT have time to question your every move.
Sometimes we are presented with parameters that we wouldn’t have thought of on our own.
One of my favorite prints came from this kind of arrangement.
An art show approached me and asked if I wanted to play.
The parameters were:
[ Make a print that explores 3 themes: Beer + Minnesota + Community. ]
So many options were off the table. What a gift. Their focus hooked me in.
From this limited space to work within, a concept I didn’t see coming
Arrived
Revealing what I had been storing.
A piece emerged that I still barely understand.
My love for minimalism and horizon lines informed a container pouring
Representing brewing, a process where someone combines and holds difference
Together, while giving that relationship time. In this shared space
One part activates something in another, which generates a new, 3rd thing.
This is brewing. This is cooking. This is Family, Team Sports, and Jobs.
This is contemplation by ourselves. This is conversation and cooperation in community. This is the
Creative process. This is
Life itself.
Day in and
Day out
We are flooded with inputs from sources that surround.
Evolving environments speak into our work
With traces, notes and nods.
What we make tells of a conditioned context.
Our act evolves through seasons, in stages
Overseen by care takers, taking turns
Making and breaking our casts.
In our beginning, we watched one another play before imitating some of what we saw.
This is what we’re like. Still. Like 2nd graders indirectly telling 4th graders “you rule”
We never stop looking up to those who represent next steps.
We observe and save our notes somewhere
Somehow
Following along accordingly
Copying steps within routines for “individual use.” (49)
“We are a face-to-face species.
We are remarkable in our capacity to empathize, to mimic, to mirror.” (50)
In play
Kids take turns describing parameter sets
Following after the heart of improv, inviting others to join in.
As seen on more than TV
Past scenes we’ve gathered roll, informing roles
In school rooms, hospitals and homes.
In play
Kids work out basic concepts like, “care,” “self,” and “other.”
“Settle down.”
“How about [ you’re the puppy and I’m the zoo keeper.] ”
“Yes! ... and
[ This laundry basket is my cage and it’s snack time and puppy needs more gummies. ]”
“But
Our
Father said no more gummies.”
“Ga-ha-meeeees.” (“Puppy in a cup.”) (53)
“No.”
“Puppy will bury the wrappers in the couch cushions next to the carrots.”
An idea
Works
For way too long
Then
The remote gets lost
Followed by an old man’s cool.
What
The
…
In early rounds, high-powered authority figures, such as tall moms and big brothers
Lay down laws.
Being naughty is punishable. Don’t get caught. Hide your polypropylene trail.
Context matters, but generally speaking, initial parameters such as
[ Limiting snack intake ] or [ Prohibiting hitting ]
Provide guard rails which get us going on a path that's right
While growing our concept of “health” and “care.”
Training wheels serve for a season, assisting in ushering in
A coming of age.
In our first few rounds
Getting
2nd hand knowledge is key.
“[ DO NOT touch the stove! ]”
“Why?”
“Because we’re trying to save our savings for more than a trip to the ER.”
As we age, we begin to see why certain parameters have been put in place.
Here, we begin to play by the rules for reasons we
Get 1st hand.
Being prohibited from touching the stove is a rule for a reason.
Disobey if you will … just don’t get caught red handed.
“Dad.”
Sorry.
Constraining house rules are a practice round of sorts that gets us
Ready for a “real” world, run by a transparent
Super
Parent
We’ve captured in our traditions.
A multitude of Ology’s have reckoned with this
Force, according to their kind. This
Character of characters is a profound mix of
Intense and kind
Compassionate and harsh
Slow to anger and seriously mad.
Honoring this
Mix that has been passed down
Is nowhere near straight forward.
Consider for a moment, a healthy aspect of this hard to follow
Mix that drives
Us.
Think about being told to exercise by a
Higher power such as our father, mother, doctor, or gym coach. (Kiss your comfort zone goodbye.)
Picture the ridged schedule of a Track & Field team, made up of weekly practices.
Push. Remember to breathe. Go another round.
A voice calls out from a teal windbreaker, making us do what we ought to do:
Drills that burn our core.
After a Track & Field season
We hit an off-season
Where our assigned coach isn’t there
Watching.
"Freedom! Finally. No more
External
Authority
Figures enforcing painful rituals
Towering over my every move, telling me what to do."
On Summer Break, intense instructors don’t call us out. In time, they don’t need to.
Our lungs sub in and take their place, doing just fine, and not so fine without them.
An irony
Wind tunnel begins heating up
In the midst of a pickup game
Speaking up about something our body is missing.
An undeniable
Word that we get on a gut level, tells us that we’ve separated ourselves from our own
Life in some way, according to an invisible rule, written on at least our lungs.
In skipping out on exercising, we don’t exactly get away with it.
Our own lack of practices preach
Without words, finding us right where we’re at. Calling this disruptive
Encounter names, helps us build a relationship with the
Way
It can bring us back to our life.
Multiple references are in order, in order to begin to hold and honor the complexity of this
Significant
Other.
Our
Life is after
Us. We are members of
More
Than we understand
In an epic struggle to learn and live
The
Power of
Cooperation.
“The individual is an organ of society,” and (65)
Life is a
[ Game of [ games ] ] in need
Of
Cooperation, a shared activity
Driven by a benefit that’s mutual. Here
More than one member works together
In
Solidarity, towards a “common purpose” pictured. (66)
The source of cooperation is “mutual respect.” (68) Reciprocating the idea that another is
Worth our while, sets the table for
More. This claim works, even if the other has baggage from their journey
Like we do. “Solidarity between equals” serves us all a deeper definition of home. (69)
Go and multiply
What caring for the other as if they were you
Looks like to you
Expanding how your vision works
Enlightening next steps to take.
We go through thousands of rounds of growing up, relearning what we thought we had down.
We forget to remember
All the time, what it is we think we believe. Also, we don’t know everything there is to know.
This being true, means we will
Encounter others who know how our big picture could be
Better.
Listen
Up
Always.
As far as the game called [ Society ] goes
Different points of view have emerged on
What’s working and what needs work.
It’s not a stretch to say that
The dusty gameboard
We are standing on is
All kinds of
Broken and
Fixed.
HERE
We
Are.
Where
Does
One
Go
From
HERE?
Some say
We still have a long way to go, but that the [ Structure ] we’ve got is still
Much better than most of the alternatives out there.
Some say the societal
Arrangement that we inherited is simply the [ Channel ] we got
Which we could and should use to revise the [ Channel ] we got
Leveraging more of
Our
Potential by getting more of who we are engaged.
Some push back
Saying simple summaries are part of the problem, as they
Fail to address complexities unseen, embedded deep
Which is
Why
Progress is so hard to come by.
Some are simply tired of hearing about change from leaders
Benefiting from the [ Channel ] they keep
Plugging.
A current within invites
Us in time to question the depth of
Our stance. A subtle
Shift FROM asking [ will I get caught cheating ] or [ will I get shunned by my base ] TO
[ Is my way of play good for us, as in “all of us,” ] and [ can it scale if others follow ] (76)
Is an important transition to take. In doing so
We grow the
Way
We hold pages.
Reread the signs
Between the lines
Deeper into wide.
Go through again the
Word
Shrewd, honing your craft with “good (as opposed to duty).” (78)
Throw through. Push your play.
“Do the right thing, not out of fear of punishment,
But because it’s the right thing to do.” (79)
In his studies, Piaget noticed that as children aged, they took on a
Likeness by entertaining an inner
Authority. In play, stages of development revealed a “spirit of the game” that
Influenced and inspired those gathered. (81)
Games still had their constraints, consequences, categories and competitive nature; and
Stronger, taller players remained stronger and taller, but
In the end, which became a beginning
[ Conceiving of other players as equals, on deeper levels, ] became a much more convincing
Compelling reason to play fair.
This vision of [ Cooperation overseeing Competition ], served aging children as a
Reliable, transcendent, governing
Force that worked
Way better than the fear of getting in trouble.
Imagine that.
Picture that and share. Help us heal
From our hit list of theories
Built upon man-made
Projections.
Piaget notes: “Why should one not cheat at games? The answer falls under four heads:
1) It is naughty
2. It is contrary to the rules of the game
3) It makes cooperation impossible
(“You can’t play anymore” “It spoils the game”
“If everyone did that no one’ll play anymore.”)
4. It is contrary to
Equality.” (84)
“Good eye.”
[ Envisioning yourself as the other ]
Is a parameter
To partake in.
[ Seeing another
As another you ]
Is an up-and-coming, oncoming, incoming frame
That works
For our good, to the degree we entertain this roundabout definition of
Love.
Is there a best
Way forward, as far as looking out for our well-being goes?
What kind of ruler would one even use to measure that value claim?
A healthier
Us calls out from the future, past and present
“On your Left. On your Right. Align to
The
Golden
Rule.”
[ The Golden Rule ] is a
Parameter of parameters that guides
Us forward.
[ The Golden Rule ] is a
Path of paths that channels our current events, keeping
Us from doing whatever.
[ The Golden Rule ] is a
See-through coaching staff that grows
Our grasp of everyday concepts, such as “hosting,” “home” and “away.”
By the
Way, this
Rule of rules is
[ Love. ]
“All this time
(So many signs).” (89)
Breathe deep and listen to your neighbor. [ See the other as another you,
A visiting guest, who just like you, is a work-in-progress with issues. ]
[ “Long for the best for that other as you would want the best for you.” ] (90)
Reflect on the
Mystery
We are, ringing in more than our years.
Don’t look now, but a motion picture is bearing it all
While we faithfully cover it up
Using hand-me-downs, grandfathered in.
A face now glowing, continues scrolling through yet another draft.
“This screenplay could be better.” (A line blinks.) A cursor winks
Signaling another round.
A passage appears
A gateway to explore
Rough, smooth edges and all.
Take a knee
Past the rock. Tend to
Our plot
With all you got
In light of a gut checked
Power within.
Roots underground mirror branches seen, anchoring a symmetrical sprawl
Holding a horizon line, preparing to bear
Fruit to share.
Order in the court. An ever-present threshold courts
Us
All
As a variety of goals
Lead us on
According to their kind.
A difficult action awaits.
From Piaget’s study: “Interviewer: Is it just the same to tell lies to grown-ups and to children?
FEL (age/6): No.
Interviewer: Which is naughtiest?
FEL (age/6): To grown-ups.
Interviewer: Why?
FEL (age/6): Because they know it isn’t true. ( The more a lie shows, the worse it is. )
DEN (age /11): “It’s’ worse to a child because he’ll believe it.”
Piaget: Here we see the “progress of solidarity.” (95)
Where
To
Start
With our
Super
Small part
To play?
A woodworker comments from another angle
^ Know thy context. Honor thy process.
Go against and with the grain.
Facing and dealing with “limits
For the human personality
Actually turns out to be expansive.
Limiting and expanding thus
Go
Together.” (98)
Strong and
Flexible to
Follow.
You are a maker in charge … in part … of [ Realizing heaven on earth. ]
Go through again those roots, adjusting your stance as needed
Setting bars high, aiming deep, helping who we are
Catch on. Dream, and DO NOT be afraid
As you consider
Pulling into being the most beautiful picture you can manage.
Re-member these fragmented members we are.
Re-ligament what we’ve warped and torn.
Re-write who we may be.
Prepare a place for new things
Brewing
Stirring more than your crowd.
Move
Us forward with a
Word
Written in your chest, revealing how well your vision works
For a world you still, so
Love.
026 Parameters | 072723 | Jeff Holmberg
(1) – Open. Monitor. Farmington, MN 052823
(2) – May, Rollo. Courage to Create. New York, W. W. Norton & Company. p. 113
(3) – McConaughey, Matthew. Greenlights. Audible. 2020 Random House Audio. Part One. 30 min.
(4) – Canvas. Farmington, MN 052723.
(5) – McCreight, Tim. Design Language. Portland, Brynmorgen Press Inc. 1996, p.124-125.
(6) – Composition. Ibid. 24.
(7) – Ibid. 124-125. Emphasis added. Capital T on They.
(8) – Scan of Settlers game pieces. Farmington, MN 052423
(9) – Dad. Holmberg, Larry. Picnic Table. Rest Stop Grading Plan. 1969. Landscape Architect. Used with permission.
(10) – May, Rollo. Courage to Create. New York, W. W. Norton & Company. p. 113
(11) – Ibid.
(12) – Ibid 115.
(13) – Hart, Kevin. The Decision – Overcoming Today’s BS For Tomorrow’s Success. Audible. 2019. What-Is-Ness.
(14) – Assist. 18x24. Poster for the Minnesota United FC. 2015.
(15) – Picnic Table. Rest Stop Grading Plan. 1969. Dad. Holmberg, Larry. Landscape Architect. Used with permission.
(16) – Brick + Wood = Road. Farmington, MN. 052423
(17) – Soccer On-Field Oral, Communication. coachingamericansoccer.com/tactics-and-teamwork/on-field-oral-communications/ 111220.
(18) – Ibid
(19) – Witham, Micah, Pastor. Carpenter. Fisherman. Zoom. 011421
(20) – U2. One, Achtung Baby. Island, 1992.
(21) – Lakeville, MN. 051923
(22) – Soccer Ball. Farmington, MN 052323
(23) – Throw In. Soccer. Lakeville, MN. 051923
(24) – Basket Ball. Line. Lakeville, MN 052323
(25) – Tennis & Pickleball Lines. Lakeville, MN 052323
(26) – Basket Ball. Shoe Farmington, MN 052323
(27) – Soccer Cleat. Farmington, MN 052323.
(28) – Hardwood Floor. Farmington, MN 120621
(29) – Kaul, Andy. Managing Director. Zoom. 011821.
(30) – Soccer. Lakeville, MN051923
(31) – Yield. Apple-Valley, MN. 052323
(32) – Dad. Holmberg, Larry. Rest Stop Grading Plan. 1969. Landscape Architect. Used with permission.
(33) – Pencil Box. Farmington, MN 060823.
(34) – Canvas on Door. Farmington, MN 052723.
(35) – X marks the spot.
(36) – Weathered Sign. Farmington, MN
(37) – Coffee Drip. Farmington, MN 111622.
(38) – BlackBerry Keys. Farmington, MN 101612
(39) – Adobe Illustrator Tools. Farmington, MN 052523
(40) – Empty Folder. Farmington, MN 052823
(41) – Sign. Farmington, MN 052523
(42) – Sign. Farmington, MN 052423
(43) – Foosball Farmington, MN 052423
(44) – Golf Ball. Farmington, MN 052423
(45) – Basketball-Arc. Farmington, MN 120621.
(46) – 18x24. More. Poster for Posters and Pints. 2015.
(47) – Coffee Ring. Farmington, MN 050821
(48) – Sign. Farmington, MN 052423
(49) – Piaget, Jean. The Moral Judgement of the Child. New York, Free Press Paperbacks, 1997. P. 27.
(50) – Keltner, Dacher. Born to be Good. The science of a meaningful life. New York, W. W. Norton & Company, Inc. 2009. P. xi.
(51) – Bike Tire. Farmington, MN. 052423
(52) – Settlers Game Piece. Farmington, MN. 052423
(53) – Day, Jess. Deschanel, Zooey. New Girl. Season 1, Episode 20. 2012.
(54) - Gummy Wrapper. Farmington, MN. 070723.
(55) – Carrot. Farmington, MN. 083020.
(56) – Training Wheel. Farmington, MN. 052423
(57) – Oven. Farmington, MN. 052923
(58) – Sign. Farmington, MN 052523
(59) – Track. Farmington, MN. 060323
(60) – Pinnie. Farmington, MN. 052823
(61) – Ibid.
(62) – Chest X Ray. Apple Valley, MN. 042621
(63) – LAX Ball. Farmington, MN. 052123
(64) – Basket Ball. Farmington, MN. 111921
(65) – Campbell, Joseph. The Hero with a Thousand Faces. Novato, New World Library. 1949. Reprinted 2008. P.331.
(66) – dictionary.com/browse/cooperation 071820.
(67) – Sign. Maple Grove, MN 052523
(68) – Piaget, Jean. The Moral Judgement of the Child. New York, Free Press Paperbacks, 1997. p. 324.
(69) – Ibid. 335.
(70) – A. Pictionary Instruction Packet. Farmington, MN. 053123
(71) – D. Pictionary Instruction Packet. Farmington, MN. 053123
(72) – Pictionary Game Board Corner. Farmington, MN. 053123
(73) – Wood Working Bar Clamps. Farmington, MN. 062123
(74) – New Message. Farmington, MN 052423
(75) – Home Plate. St. Paul, MN. 061523
(76) – Malkia Cyril. 13th. 2016 Netflix Film.
(77) – Baseball. Farminton, MN 062623
(78) – Piaget, Jean. The Moral Judgement of the Child. New York, Free Press Paperbacks, 1997. p. 324.
(79) - Dad. Holmberg, Larry. Landscape Architect, Artist. Phone Call. 120120.
(80) – Center. Maple Grove, MN. 051923
(81) – Piaget, Jean. The Moral Judgement of the Child. New York, Free Press Paperbacks,1997. P 24.
(82) – Sign. Maple Grove, MN 052523
(83) – White Board. XOXOXO. Farmington, MN 041223.
(84) – Piaget, Jean. The Moral Judgement of the Child. New York, Free Press Paperbacks, 1997. P. 305-307. Emphasis added. Capital E on Equality.
(85) – Equal Sign. Farmington, MN 062123.
(86) – Open Road. Apple Valley, MN. 052423
(87) – Scrabble. Triple Word Score. Farmington, MN. 052423
(88) – Home. Key Chain. Golden Rule. Farmington, MN. 052723
(89) – Swift, Taylor. Iver, Bon. Exile. Folklore. Republic. 2020.
(90) – Desmond Tutu. The Book of Joy. Lasting Happiness in a Changing World. New York, Avery, 2016. P. 148.
(91) – Bowling Alley. Farmington, MN. 052723
(92) – Cursor. PC. Farmington, MN 010222
(93) – Order In The Court.
(94) – 4 Square. Lakeville, MN 052323
(95) – Piaget, Jean. The Moral Judgement of the Child. New York, Free Press Paperbacks, 1997. P. 172-173. Emphasis added. [ ] replaced with ( ).
(96) – New Folder. Farmington, MN. 052823
(97) – Holst, Eric. Brewer. Pastor. Bowling Alley. Pequot Lakes, MN. 070921. Used with permission.
(98) – May, Rollo. Courage to Create. New York, W. W. Norton & Company. p. 115. Emphasis added. Capital F on for, A on actually, L on limiting, G on go and T on together.
(99) – Mom. Holmberg, Linda. Tree Trunk. Shoreview, MN. 091420. Used with permission.
(100) – Landscape. Lakeville, MN. 052823